Some New Little Pieces

SEA GLASS (c)Pat Dolan

The small 4x6" fiber art pieces that were framed in the 8 x 10" shadowbox frames have all sold - and a request was put in for three more pieces. Here are the latest three. The two blue/green ones are hand-painted silk (a gift from a friend) that is free-motion quilted and embellished with Swarovski crystals, sea shells and beads.
SUMMER SHORE (c)Pat Dolan
The piece above is hand-painted cotton topped with various specialty fibers, then covered with layers of Angelina fibers, stitching, and finally embellished with beads, Swarovski crystals, and sea shells.
WINTER SHORE (c)Pat Dolan

The library has printed up the postcards announcing my show and lecture - here are some of them on the dining room table getting address labels and stamps...
They all went out in the afternoon mail today - with several bundles going to local fabric and quilt shops to be handed out to interested customers.

Here is the brochure cover for the show.

Framing: Step by Step Tutorial

Above is Step 1: the finished artwork and the 1/4" foam core on which it will be mounted for the Dakota Shadowbox Frame. The art is 8 1/2" x 11." The frame is 11" x 14." The foam core has been cut 1/2" shorter than the art, allowing the art to extent about 1/4" all the way around. The foam core lifts the work off the backing and creates a bit of a shadow behind the image to further set it apart from the backing board.

Use a nail to create holes in the foam core - all the better to get the needle and thread through for attaching the art to the foam core.

Step 2: Marking the back of the art through the holes in the foam core so that one can sew the art exactly where it belongs on the foam core.


Step 3: the first knot in the back of the art. Make sure this does not pierce the front of the work and also that the knot is secure so you can pull the threads taut later, as you go around the piece.

Step 4: Sewing down the first corner. Bring the thread from the art up through the back side of the foam core.

Step 5: Securing the first corner by going back down through the foam core for the second stitch - then back up the first hole to begin moving on to the next corner.

Step 6: At corner two; put the needle down through one hole and, noting the marks on the back of the art, run the needle through the back of the art from one mark to the second mark (making sure not to pierce the front of the work). Pull the thread semi taut and move on to corner three.

Step 7: Repeat the same procedure for the third corner.

Step 8: Using the same procedure for the final corner, pull thread taut - checking all corners - and then knot on the back of the work.

Step 9: Some prefer to put a dot of fabric glue in each corner to secure the artwork in place. This step is optional. The black backing board must then be marked so as to insure proper centering of the art. Lightly pencil in just the corner markings as measured by a ruler. For this frame, there is 1 1/2" on each side and 2" on the top and bottom.

Step 10: Assembling the frame. First, was the glass on both sides. Then replace the glass, followed by the wooden spacer - which can easily be seen below - first separated, then adjoined.


Step 11: Replace the backing board and it is ready for hanging.

Here is the completed piece - "done" - almost... but I forgot to sign it! I'll be taking it apart and signing it prior to my show. I prefer to use a fine-line gel pen in gold or silver for signature on a black background. On light backgrounds, I use pencil.

Chaos/Opportunity - framed 11" x 14"(c)Pat Dolan